Casden Institute for the Study of the Jewish Role in by Bruce Zuckerman, Jeremy Schoenberg

By Bruce Zuckerman, Jeremy Schoenberg

The courting among Jews and the U.S. is unavoidably complicated: Jews were instrumental in shaping American tradition and, after all, Jewish tradition and faith have likewise been profoundly recast within the usa, specially within the interval following international battle II. an important concentration of this paintings is to think about the Jewish function in American existence in addition to the yank function in shaping Jewish existence. This 5th quantity of the Casden Institute's annual assessment is geared up alongside 5 extensive themes-politics, values, photograph, schooling and culture.

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Activists who attacked Hitler without simultaneously attacking Stalin were vilified by conservative critics as Communists, Communist dupes, or, at best, naïve liberal dupes. By the early 1950s, “liberal Hollywood” was seen by many citizens as a danger to American security—a sin many liberals paid for by being blacklisted. The persecution of Hollywood activists after the war provided an important warning: Americans did not want their fantasies punctured by screen idols who took controversial political stands.

Warner Collection: Warner Brothers Archives, University of Southern California. Warner, Jack. Undated, Correspondence, Folder 3. J. Warner Collection: Warner Brothers Archives, University of Southern California. Warner, Jack L. with Dean Jennings. My First Hundred Years in Hollywood. New York: Random House, 1965. Whitfield, Eileen. Pickford: The Woman Who Made Hollywood. Lexington, KY: University of Kentucky Press, 1997. Whitney, R. M. Reds in America. New York: The Beckwith Press, 1924. Winter, Ella.

Heinze properly respected within the Western canon. By the 1960s a new generation of American literary critics had emerged, one that contained a disproportion of Jewish scholars far beyond that found in other fields of the Humanities. We can get a quick idea of this intellectual trend by comparing two reference volumes: “Modern American Critics, 1920–1955” and “Modern American Critics Since 1955” in the Dictionary of Literary Biography. 6 There is no Least Common Denominator among contemporary American Jewish literary critics, but I think it bears mentioning that they include, in Harold Bloom, E.

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